Some of the most provocative artists today deal with biotechnology . Working with scientists and railroad engineer , these artists transform bread and butter tissue and even their own bodies into whole kit of fine art . Here are seven bio - artist whose contributions you should know .

The legendary Cypriot - Australian public presentation artist Stelarc likes to conceive how engineering science extends the content of the human body and how at the same clip our bodies are becoming increasingly disused .

Neither a utopian or a dystopian , Stelarc ’s fundamental title is that we ’re more and more extending ourselves into our environment and our technical artifacts , and as a outcome , are transforming ourselves into both bionic woman and zombies .

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Stelarc ’s performances often need robotics and other modern technologies . He has undergo voluntary surgeries , invest himself with a third arm , andrisked killing himselfafter have a “ belly sculpture . ”

https://gizmodo.com/for-extreme-artist-stelarc-body-mods-hint-at-humans-p-5912041

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In one performance , he allowed his body to be controlled remotely by electronic muscle stimulators connect to the net . Most recently , he had a mobile phone - cultivated ear surgically attach to his left arm .

He ’s also noted for his break performances .

Shocking , controversial , and highly provocative , Orlan use her physical structure — and especially her face — as her canvas . She use cosmetic surgery to transform her face into any number of mannequin , includingThe Reincarnation of Saint - Orlanpiece in which she morph herself into elements from far-famed paintings and sculptures of women .

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Orlan used these surgeries to adjust her brass to the feminine ideal as depicted by manful artists .

But by using enhancive surgery as the means of her transformation , she shows the power of technology to metamorphose our strong-arm visual aspect . What ’s more , her fine art shows how fungible the human form can be .

An English player , poet , author , and performance creative person , Genesis Breyer P - Orridge ’s piece of work explores a diverse number of themes , let in sex body of work , occultism , and grammatical gender upshot . S / he is most famous for Project Pandrogeny — a collaborative effort with his married woman Lady Jaye Breyer P - Orridge in which the two tried to create an dental amalgam of their two selves . The project touched upon such themes as personal transmutation , deep interpersonal union , and postgenderism .

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The experimentation to create a pandrogynous being named Breyer P - Orridge required the dyad to undergo titty implants and other physical transformation . They also embrace gender neutral and alternating pronoun ( e.g. s / he , h / er , and h / erself ) .

“ And then over the age , we transformed more and more until we were both run around in miniskirts , line up the same , ” theynoted to the Village Voice .

Brazilian - American “ transgenic artist ” Eduardo Kac uses biotechnology and genetics to research and critique scientific techniques .

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In his first work , “ Genesis , ” Kac contract a bible verse , transform it into Morse code , and then converted it into the floor span of genetic science . He then implant the result genes into an unspecified bacterium that he grew in a petri ravisher . The idea was to create a dichotomy between biblical injunctions against tampering with nature with doing precisely that .

But his most renowned employment is Alba , the creation ofa green - fluorescent cony . Kac took a rabbit and implanted it with a Green Fluorescent Protein ( GFP ) found in jellyfish . When placed under a dreary visible radiation , the rabbit radiate a bright , eerie leafy vegetable .

Kac says that the “ nature of his new art is defined not only by the nascency and growth of a fresh plant or animal but above all by the nature of the relationship among creative person , public , and transgenic organism . ”

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Kac also has a micro chip in his articulatio talocruralis , choosing that part of the dead body because slave were often branded there .

A seminal public figure in the transhumanist and extropian movements , Natasha Vita - More integrates her futurist visual modality and ethos into her conceptual nontextual matter spell . An counselor-at-law of human sweetening and morphological freedom , her oeuvre explore such theme as biotechnology , robotics , information technology , nanotechnology , neuroscience and cognitive scientific discipline , artificial cosmopolitan intelligence . Human nature , reason Vita - More , is predicate on the desire to solve problems through innovative method and aim .

Her well known work isPrimo Posthuman , a project that declare oneself the possibility of the succeeding human — one that ’s the Cartesian product of designed conception rather than the forces of natural selection . The Primo Posthuman is a futurist version of the human form that ’s overcome disease , ageing — and which features any number of newfangled “ lineament . ”

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“ Unlike the cyborg , Primo ’s unfolding nature is base on inflate choices , ” she allege , “ Unlike the transcendent , Primo is labour by the noetic rather than the mystical . ”

She notes :

Primo is engineered like a finely tune automobile and display visually like a biological body to mirror the human shape for cognitive association , visual acknowledgment , and esthetic appeal . Yet , the Primo dead body does not age , is easy upgraded , has meta - sensory components , 24 - hour remote Net relay race system , and multiple gender options . Its out sheath is primed with overbold skin which vanguards practical intention purposes for communication . The model structure is write of forgather massive molecular cytes or cell connected together to form the outer fabric of the torso . The sassy skin is mastermind to repair , remake , and put back itself . It check nanobots throughout the dermal and dermis to communicate with the brain to determine the grain and tonicity of its airfoil . It transport enhanced sensory data to the brain on an on-going base . The smart skin learns how and when to renew itself , alert the extraneous world of the disposition of the individual ; give specific stage of the body ’s temperature from moment to moment ; and ruminate symbols , range , colors and textures across its contours . It is able-bodied to interrelate the percentages of toxins in the environment and the extract radiation effects of the Lord’s Day .

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American execution and new media creative person , Micha Cárdenas ’s study explore the impact of biotech , wearable computer science , and the intersection of the real and practical worlds . Her work look into the means technologies can both pass and morph the human body , particularly beyond schematic gender part .

Back in 2008 , Cárdenas performed “ Becoming Dragon , ” a 365 minute sundry reality operation in Second Life . For the integral 365 hour , Cárdenas take on the descriptor of a firedrake named Azdel Slade .

https://www.youtube.com/watch?v=pHEDym1aOZs

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She ’s also the Centennial State - generator ofThe Transreal : Political Aesthetics of Crossing Realitiesin which she discuss augmented reality , mixed reality , alternate realism approach .

Aimee Mullins is primarily know for heraccomplishmentsas a Paralympian jock , but in 1999 she collaborated with British fashion designer Alexander McQueen on a rather interesting project . Mullins , who had both of her legs amputated below the human knee when she was one yr old , posed on pair of hand - carve wooden prosthetic legs made from firm ash tree , with constitutional bang .

https://gizmodo.com/portraits-in-posthumanity-aimee-mullins-5535730

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The BBCreported :

“ You always expected the unexpected with Alexander McQueen , ” says Helen Boyle a fashion hairdresser and presenter . “ Everyone was waiting to see who was on the catwalk , and what they were wearing .

“ By putting disabled people on he was taking people out of their comfort zone , making people think , make people posture up in their chairs . ”

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In 2003 she cooperate with director Matthew Barney for the Cremaster 3 project in which she posed for a serial publication of provocative scenes , showing how the human body can be presented and extended beyond so - name human “ normalcy . ”

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