If you ’re concerned in high - end video recording production , you ’ll want to take a tone at Apple ’s Final Cut Studio 2 . It ’s chock full o ’ apps , include a smooth unexampled update to Final Cut Pro , now in reading 6 , Its primary imperturbableness is its ability to crackle HDTV video down to accomplishable size , made potential by ProRes 422 , a codec for compressing video that Apple claims to be able to do the video equivalent of stuffing a basketball through a garden hosepipe .
We watch a lengthy demo of the new software , and found it to be a singular linguist , able-bodied to do by all kinds of footage all in one big bucketful , something that ’s really crucial to broadcaster and film maker these day . When there are dozen of potpourri of HDTV and veritable boob tube to treat with , this is not a fresh feature , but welcome by Final Cut exploiter .
Check out a few of our film in the heading below , and read more about Final Cut Studio 2 on the next varlet .
At the same meter , Apple showed up Motion 3 , a extra core app that can stack up more layers of video than you may judder a peg at . A competitor to Adobe ’s After Effects , we noticed a muckle of the same features aboard this third looping of Motion , but the thing just expect dope - easy to utilize , and has tons of canned effects on board . pass on it to Apple to make the complicated undertaking of video compositing a bit easier .
The there was a neat demo of the next version of Soundtrack Pro , now adaptation 2 , which brings some cool editing features to the Apple mid - range reasoned editor program . More intriguing was the 3D representation of a sound wave , and the power to precisely trend out a particular noise without fall back the other phone around it . Sure , we ’ve witness a feature film almost exactly like this in Adobe ’s Audition strait editing app , but now it was Apple ’s turn to catch up .
Then there was Compressor , an expanded compression tool with a simplified user interface and more power than before . We were impressed with its muckle processing capacity and added support for one of our fave codecs , H.264 . It also encodes video for iPods and Apple television set as well as pro formats , and takes vantage of that new mofo Octomac that heard only one or two mention in the presentation . But it does rationalize processing time , grind video recording 2.8 multiplication faster on an eight - direction processor than was ever possible before .
Next was Color , a color correcting software instrument that looks a draw like $ 100 K software / computer hardware organisation we ’ve seen over the age . Color fudge factor is what made films such as O Brother Where Art Thou ? wait so warm and old , yet beautiful . Color discipline is a big part of television and movie production these day , and to really get in there and fix weird colors that were n’t shot properly , as well as warm up scenes and add style , up until recently you needed a seriously expensive system , mean it would cost you loads of M of vaulting horse . But the hall - full of TV yield wonks was pant when Apple fire assure us all this power would be included in Final Cut Studio 2 .
Pricing was sane for all theses apps you get , too . The full price of the whole suite will be $ 1299 , available next calendar month . To upgrade from Final Cut Studio 1 will be $ 499 , and an acclivity from any variation of Final Cut Pro since its beginning ( 1999 ) is $ 699 . Not a bad deal , not bad at all .
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